On Thursday night, as I stood in my bathroom trying to floss while reading about defeat of corrupt gods by righteous sorcerers, I realized I have been doing some fairly atrocious regressing over the last week.
Though I know it’ll sound petulant, I can honestly attest to having avoided fantasy novels for a solid couple of years. Sure, I’ve carted their familiar pastel covers with raised lettering and buckling spines from apartment to apartment, but I haven’t actually indulged in some time. It’s not entirely that I’m too ashamed these days to go around with a sci-fi book sticking out of the front pocket of my overalls (read: my adolescence), though that is a hefty portion of the reason. The other slimmer, but more legitimate, reason is that I truly do enjoy reading what might be termed as “classic literature” and as an added plus I feel as though I’ve earned my plastic-rimmed glasses and poor attitude when I’m through.
For example, when I spend the day lying on the floor chronically re-reading Willa Cather, I consider it a day well spent. When I spend the day lying on the floor reading fantasy novels, however, I feel sort of like washing my eyes out with soap and writing really mean anonymous comments on Tolkien fan fiction sites when I regain my vision. And yet, I can’t stop.
It’s terrible, actually. It all started last week when my main squeeze brought home a book rejected by the library. It was a hefty tome with a giant dragon face on the cover and an incomprehensible title; outwardly I joked about the inexplicable fondness of fantasy writers for bisecting names with apostrophes but inwardly I was mighty curious about this sad seeming dragon. My main squeeze laughingly suggested that I might want to read it, and I laughed to in a furtive sort of way.
Unfortunately, I barreled through the dragon book in a few days, and then immediately took solace in another (less commercial, if that is any more defensible) fantasy novel.
To be clear, I know that fantasy novels are crap. I even make a point of reading them quickly because I’ve fond that oftentimes the 300-page subplots about warring amongst the dwarfish people are completely irrelevant to the overarching (and it’s way overly arched) storyline. But there is something strangely endearing about them.
The problem is this: when I read lines of convoluted passages made up of the words “fate,” “empire,” and “moonstone” strung together in 20 different ways, I will snort sarcastically and roll my eyes but this doesn’t seem to deter me from continuing through that book (or its inevitable sequels).
My only hope is a resurgence of my equally unappealing George Elliot phase.
Though I know it’ll sound petulant, I can honestly attest to having avoided fantasy novels for a solid couple of years. Sure, I’ve carted their familiar pastel covers with raised lettering and buckling spines from apartment to apartment, but I haven’t actually indulged in some time. It’s not entirely that I’m too ashamed these days to go around with a sci-fi book sticking out of the front pocket of my overalls (read: my adolescence), though that is a hefty portion of the reason. The other slimmer, but more legitimate, reason is that I truly do enjoy reading what might be termed as “classic literature” and as an added plus I feel as though I’ve earned my plastic-rimmed glasses and poor attitude when I’m through.
For example, when I spend the day lying on the floor chronically re-reading Willa Cather, I consider it a day well spent. When I spend the day lying on the floor reading fantasy novels, however, I feel sort of like washing my eyes out with soap and writing really mean anonymous comments on Tolkien fan fiction sites when I regain my vision. And yet, I can’t stop.
It’s terrible, actually. It all started last week when my main squeeze brought home a book rejected by the library. It was a hefty tome with a giant dragon face on the cover and an incomprehensible title; outwardly I joked about the inexplicable fondness of fantasy writers for bisecting names with apostrophes but inwardly I was mighty curious about this sad seeming dragon. My main squeeze laughingly suggested that I might want to read it, and I laughed to in a furtive sort of way.
Unfortunately, I barreled through the dragon book in a few days, and then immediately took solace in another (less commercial, if that is any more defensible) fantasy novel.
To be clear, I know that fantasy novels are crap. I even make a point of reading them quickly because I’ve fond that oftentimes the 300-page subplots about warring amongst the dwarfish people are completely irrelevant to the overarching (and it’s way overly arched) storyline. But there is something strangely endearing about them.
The problem is this: when I read lines of convoluted passages made up of the words “fate,” “empire,” and “moonstone” strung together in 20 different ways, I will snort sarcastically and roll my eyes but this doesn’t seem to deter me from continuing through that book (or its inevitable sequels).
My only hope is a resurgence of my equally unappealing George Elliot phase.
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